SIMPLE COMPLICATED

MANDELBROT-SET

Figurales of Mandelbrot


Introduction

1.0     Why mathematics is fascinating to a painter

2.0     Aquarells and descriptions
3.0     B.MANDELBROT -Profiling (his life and work)

3.1     Fractals & Selfsimilarity
3.2     Historic notes
3.3     Fractal Geometry
3.4     Fractal Dimensions
3.5     MANDELBROT-SET (Apfelmännchen )

4.0     Education

4.1     Old & New / Confrontation + (Apsidenmosaic-details)

Appendix

5.0     Draft of the mosaic

5.1     Curriculum vitae
5.2     General notes

End

6.0     Thanks // Literature // Addresses


Introduction

1.0 Why mathematics is fascinating to a painter

One day I was very astonished to see wonderful images on our homecomputer, I had never seen such interesting structures before. How is THIS possible? A computer is only a machine,a tool without soul and yet it produces such esthetic patterns! I took my painting utensils to realize my thoughts in my way. Since 1992 I have produced 3 paintings which reflect a special sequence or development.

2.0 Aquarells and descriptions

[aqua1]

(40x50)

We learnt at school to calculate and draw geometric figures like cubes, pyramids etc. Here they are shown on a light-blue background, and between them there is n early hidden, the Mandelbrot-Set!! It exists. LOOK !! There is no perspective,on ly 2-dimensional objects are combined with 3 dimensional-objects. They are like in harmony.

[aqua2]

(40x50)

Five geometric figures are suspended on a light -yellow background , near the centre is a blue-red IKOSAEDER while the sphere seems to be a solid 2 dimensional structure. Very strange are the spirals, which resemble tentacles. Linear objects are combined with nonlineare objects.----like in nature.

[aqua3]

(40x50)

On the light-red background there are represented two big yellow spirals. Such figures can be found on the borders of Mandelbrot-Set. The bodies of geometric structures become imaginary. Only the basic still remains.--like everywhere yet. During one of my exhibitions I watched some elder viewers who did not understand my paintings despite their interest in the shapes and colours. Explanations were requested to illustrate what is simple and at the same time complicated. Soon I decided to inform myself more about CHAOS -Mathematic and the FRACTALS. Two names: MANDELBROT and KALIKOW are important for my paintings.

3.0 B. MANDELBROT -Profiling (his life and work)

[mandel] [mandel2a]

B.MANDELBROT was born in 1924 in Poland (Warsaw), and in 1936 his family emigrated to France. In Paris his uncle Szolem M., Prof. of Mathematics-- at the College de France-- took responsibility for his education. 1947 Diploma- Ecole Polytechnique- Paris 1948 M.S.at the California Institute of Technology 1952 Docteur d'Etat- Paris 1987 joined Yale-University, Prof. of Mathematical Sciences Prof. of Economics, later Applied Mathematics at Havard, than Albert-Einstein College of Medicine 1995 Professeur de L'Academie des Science Ecole Polytechnique. Member of the Americ. Academy of Science and Art, and of the Natural Academy of Science Numerous honorary doctorates and awards. 1993 Wolf Price.in physics Fellow emeritus (Physical Science),at IBM ,T.J.Watson Research Center.N.Y.. There, sitting in a glasehouse, he watched the mountains and created by chance the FRACTALS. B. MANDELBROT is best known as the father of Fractal Geometry.

3.1 Fractals & Selfsimilarity

His restless life characterizes his works. He discovered by chance the phenomenon of SELFSIMILARITY: A phenomenon which could not to be explained by the usual methods of mathematical spec. geometric methods. Mandelbrot also recognised the problems of Linguistics, the probabilities of words in English. The diction (language) must be clear, words must have sense.

3.2 Historic notes

A new chapter in the history of mathematical science started by the imaginary BINARY-System--valid all around the globe.Leibniz referred to the China-characters as a code. Galilei resp. Descartes have understood "algebraic -expressions " as a code for geometric structures as triangles, pyramides etc. and this comprehensible arround the globe, too. Linne' was forced to find double expressions to avoid errors (Botanic / Zoology). Lavoisier created the "nomenclature for natural-sciences" .Chemistry without diction would be incomprehensible. Newton used the diction of mathematics to explain his theory of gravitation. Like the sounds in music----we need dictions in science! Thanks to the computer with its special imaginary tool the mathematical sciences got revolutionized.

3.3 Fractal Geometry

B.Mandelbrot's scientific interests related to an interdisciplinary field that he originated FRACTAL GEOMETRY: One aspect of Fractal Geometry is its reliance on pictures:" some are forgeries of reality while others are purely abstract." His early works in the 1950s and 1960s while he was studying economy -suggested that the variations in stock market prices-and the probabilities of words in English (s.a.) as well as the fluctuations in turbulent fluids might be modeled by such strange processes. Later he came to study the geometric features of these processes and realized that one unifying aspect was their SELFSIMILARITY.

[FRACTAL] Selfsimilarity

3.4 Fractal Dimensions

Later he coined the word FRACTAL as a label for the underlying objects since they had a FRACTAL DIMENSION. In 1967 he published a seminal paper in Science magazine : " How long is the coast of Britain "? And he pointed out: " The concept of length was meaningless when trying to describe something as seemingly concrete as a natural coastline---the length is dependent on one's choice of measuring stick ".

To charcterise this selfsimilar complexity Mandelbrot created also the concept of FRACTAL DIMENSION: " If a smooth curve had a dimension of 1 and a smooth surface a fractal dimension of 2 -a coastline could be said to have a fractal dimension somewhere between! The coastline of Britain has a dimension of 1,26. FRACTALS are shapes or behaviours that have similar properties at all levels of magnification or during all times. FRACTALS are a concept that unites clouds, coastlines, plants and chaotic attractors.

[33a]  [org]

Therefore they are evident in engineering, chemical engineering, metallurgy, mathematics, art and even the study of chronic illness and health. For instance,in the past decade studies have shown that the healthy heart beats with a fractal rhythm- and that a nearly periodic heartbeat is a symptom of impending cardiac arrest. Diabetics,too, has been shown to have a fractal aspect as the fluctuations in glucose levels in a diabetic have a fractal spectrum. Mandelbrot says: " I explored them further and used them in many contexts from finances to galaxies " and " my main tool of thought remained the eye.------and I am powered by the unanticipated possibility of transforming the nearly developed computer into a visual helper of mathematics, sciences and also ART. " ART is one of the few forms of human productivity which causes no destruction and brings no catastrophes because it is life.

[Chaos]
Hinterglasbild

3.5 MANDELBROT SET (Apfelmännchen )

In his books in 1977 and 1982 Mandelbrot listet an enormous number of fractal- phenomena. Their mystery is characterised by infinite details, simple iterations / fractal dimensions and SELF SIMILARITY. That also is the secret of snow (Koch). A new Geometry makes us observe the nature in a new way .

[blitz]           [wolken]

Clouds are not like a sphere /// Mountains are not coneshaped /// Coastlines are not circles /// Barks of trees are not smooth /// lightnings are not linear. Only crystals have an ordered structure --no chaos -but the surrounding materials have not. Is TIME also an attractor with selfsimilarity,and is history an iterating and noniterating process? When analysing the MANDELBROT-Set there are figurales like tentacles.

[amoa]  [bischofa]  [farna]  [apfelma]

Generations of mathematicians, computer-experts and even artists were challenged to study these fascinating structures. Still in the 80s the computer was nearly unknown and mysterious. All of a sudden the development of the home and personal computers set in. Nowadays we often find them in living-and children's rooms and they are important tools all around the world. Using a computer now belongs to the basic knowledges as reading, writing and calculating. Since the introduction of the MANDELBROT -Set- in German named "Apfelmännchen" these complex phenomena could be created and described by simple rules iterated over and over again. In the meantime there are about 50.000 publications related to this subject, but how many by artists?

4.0 Education

I never studied Mathmatics. I only paint. My paintings are titled: EINFACH KOMPLIZIERT, which means simple complicated.-----secret of fascination --and there are some parallels to ancient and modern aspects.

arithmetic at school / arithmetic on computers
directly visible things / things that became visible
real / unreal
entire / fractal
straight / curved
simple / complex
concrete / abstract
firm numbers / variable numbers
constraint / enrichment
stiffness / movement
old / new
bodies / areas

4.1 Old & New / Confrontation + (Apsidenmosaic-details ROMA 4. century)

[abs1a] 

Pointing hands
[abs2a] [abs3a]

The computer specialist Dan Kalkow said: " A Computer makes things visible" And "The Mandelbrot-Set always existed."". Another specialist of the Mandelbrot-Set, Prof. J.H.Hubbard (Dep. of Mathematics, Cornell University, Ithaca N. Y. 14853), continued together with Prof H.O.Peitgen (University Bremen, Dept.of Mathematics ) some experiments.

Appendix

5.0 Draft of the mosaic

Because of my education and my profession I had to deal with different curves to visualise problems. In 1987 I designed a mosaic in a special technique (manner) which includes a graphical curve. The mosaic has no selfsimilarity, but the combination with itself for adapting to any areas.

[mosaic]

view of a section (13x18) golden background (Hinterglasbild)

5.1 Curriculum vitae

[wbengera]

I was born in Berlin (Germany), married in 1967 to Innsbruck (Austria). After familylife and some years of profession at the university of Innsbruck, I started in 1986 my painting-hobby. In 1987 member of the Künstlerbund Tirol, in 1997 Bildkunst Österreich S. 692 I attended different schools of art. Voyages to most continents. Since 1997 I have been studying history and art ( Kunstgeschichte) at Innsbruck University. In 1997 Video EINFACH KOMPLIZIERT. In 1999 Internet SIMPLE COMPLICATED.

5.2 General notes

Many thanks to
Mr. AO. Univ. Prof. Dr. Heinrich Reitberger Institut of Mathematics
Mr. O. Univ. Prof. Dr. Roman Liedl Institut of Mathematics
Mr. O. Univ. Prof. Dr. Jörg Pfleiderer Head of the Inst. Astrophysics
Mr. O. Univ. Prof. Dr. Naredi-Rainer Head of the Inst of Art
Mr. Mag. Werner Benger University Innsbruck
Ms. Mag. Elise Furlan University Innsbruck
Mr. Walter Marchiotto University Innsbruck
Mr. Wolfgang Jais University Innsbruck
Mr. Michael Schgraffer University Innsbruck

6.0 Thanks // Literature // Addresses

Literature/Addresses BOWEN J. @comlab.ox.ac.uk
BRIGGS, John u.David PEAT : Die Entdeckung des Chaos ,1989, Carl HanserVerlag
DEWDNEY; A. K. Das Apfelmännchen, Spektrum d.Wissenschaften, Comp.Kurzweil Sonderheft 1987
HARPER &ROW "Turbulent mirror" New York.
IBM Corp. Research Homepage 1996, Profiling B.Mandelbrot./ Fractal lead story
IBM Corp. Research 1998, Fractal science.

Conference on a new space for culture and society 19.-23.Nov. 1996 B. Mandelbrot

HUBBARD Prof. John H.Cornell University, Dept. Mathem. ITHACA N.Y. 14853 USA
PEITGEN Prof. Heinz Otto, Univ. Bremen 2800 Bremen 33 Postfach 330440
SILVER Rollo, Box 111 SAN CHRISTOBAL N.M.87564 USA

[computera]  [6aa]
[6ab]

(aus: Die Presse, Zygmunt Januszewski)


© 1999 W. BENGER
EMail: werhild.benger(at)gmail.com